Whitby

Whitby is a little coastal town in North Yorkshire which I believe to be one of the most wonderful places in the world. It has the usual English seaside charms: a port with pretty little fishing boats and a sea, pretty little English terraces that snake up the hills in intimate little alleyways, and on top of that it has old abbey ruins. But Whitby doesn't stop there. It is one of only a few places in the world that has access to Jet, which is made into dramatic, elegant jewelry and sold in lovely little shops in the narrow winding streets. It also has goth and folk festivals which attract a lively and interesting crowd of people. Its pubs are cosy and authentic, its shops are unusual and even the kitschy horror attractions don't tar its beauty.

But you probably knew all that. Here I'm going to share a few things that I found in Whitby during my last visit that I wasn't aware of before.


(Image (c) English Heritage, nabbed off their website)

Miniature shop of miniatures
There's a shop that sells miniature collectibles in less than mint condition for very cheap, right next to the market square. I always missed it before, partly because I was only recently into miniatures and partly because it's only big enough for three people to stand up in - and those three people have to like each other. The man who runs the shop is noticeably eccentric, and makes up the prices as he goes along. He rummages through boxes on shelves that stretch all the way up to the ceiling for adorable little cars and train carriages that are caked in dust and haphazardly tosses them onto a tiny little folding table saying, 'That's what, a quid I reckon?' I got a fairly major expansion to my train set for six pounds there, and I'm looking forward to patching up the beaten up items just as much as I'm looking forward to admiring the shinier ones.

Train and bus
Recently the North York Moors steam train line was expanded to reach Whitby. This is a lovely way to enjoy the moors, pass through Hogsmead station (actually Goathland station) and reminisce about a British golden age that is probably much nicer to fantasize about than to actually live through. I love steam trains and would recommend this to anybody, although it is expensive. However, the last train back to Pickering is fairly early, at 5 or 6 o'clock, and it's a shame to leave Whitby so early. The Abbey is open until 6, and the streets definitely look their best in twilight. Rather than catch the train back, we took the bus from Whitby to Pickering. It costs well under a fiver and if you sit on the top deck you get 360-degree panoramic views of the moors (which I have no earthly idea how to photograph well, so sorry for the lack of images). The bus route is much prettier than the train route. It goes all the way through Goathland village, which is used for the TV series Heartbeat, past a radar station that looks like it landed from outer space, and over some really wonderful valleys.

Whitby Abbey visitor centre
Whitby Abbey is run by English Heritage, so if you're a smug, self-satisfied English Heritage member like me then you get in for free. Seriously, EH membership is worth every penny. Obviously, the abbey ruins are pretty. All abbey ruins are pretty. But the visitor centre was a really pleasant surprise. It's in the ~ and includes an exhibition on two floors - the first floor shows some of the excavations from Whitby, which run from the dark ages to the 1940s. In a very intelligent way that is neither condescending nor overly specialised, the displays show you British cultural history through the prism of Whitby abbey. The ground floor is about historical study and research itself, with a short video presentation that, although goofily shot and clearly aimed at children, is genuinely insightful and well worth watching - postmodernism for kids is surprisingly compelling!

York Cold War Bunker

I recently went on a trip around England with my boyfriend's parents, so I'm going to write a few posts about the things I was particularly impressed by on my way. Many of these things will be English Heritage locations. We bought membership cards that allow you to enter any of the 400 EH sites for free, and since my membership lasts a year I'll be visiting many more in the months to come. So far pretty much every EH site really impressed me - not only are the sites themselves interesting, but EH provide interesting and imaginative explanations and displays that really bring things to life. It's not often I feel that a history display has succeeded in being both entertaining and intellectually stimulating, but it seems that EH achieve this time and time again.



EH's most recently acquired site, at the same time their most historically recent site, is York's Cold War Bunker. This is one of those hidden gems that most people, tourists and locals alike, are completely unaware of. Nestled behind a posh housing estate, this hump of grass goes completely ignored by those who don't already know what it is. It cost EH £250,000 to preserve the site and make it safe for visitors, and apparently there was not much money left for pr activities.

The bunker was in use by the Royal Observer Corps (ROC) from the 1960s until the end of the cold war in 1991. The ROC was a civilian group set up originally in WWII as a nationwide network for spotting enemy planes. By the 1960s, planes were too quick to be spotted by the ROC, so they were assigned the task of recording and reporting nuclear bombs dropped on the UK. The technology in the bunker achieved few upgrades since the 1960s, so one interesting aspect of the tour is to see how people would be expected to work together as a team of 20 in a small office to triangulate the positions of bombs, calculate the distribution of radioactive material and report these positions to central authorities with barely any computer technology.

The bunker also has a more human interest to it. A video presentation, as well as the rooms of the bunker itself, calls on you to imagine how life would have been for ROC members working in the midst of a real nuclear crisis, should one have occurred. Upon hearing the sirens, most of the 120 ROC members local to the bunker would have left their families behind and run to the bunker in an effort to be one of the first 60 people to arrive. Only the first 60 ROC members at the gate were to be allowed in.

Once in, ROC members would try to cleanse themselves of radiation using an everyday bathroom sink. From then on they would be stuck inside the cramped underground rooms for up to 30 days, sleeping in noisy dorm rooms with bunk beds, eating ration packs in a tiny canteen and working long shifts in a tiny office. The information they received about the outside world would be censored by their officer. No family photographs were allowed on the premises. The air conditioner was only to be used in short bursts, as nobody knew how well or how long the filter would work against radiation, so the whole place would be incredibly stuffy. Every couple of hours somebody would have to go out and brave the potentially radioactive outside world in order to retrieve a pinhole camera from the roof that would record any further explosions. The tank containing clean water was the most vulnerable part of the structure in case of a nearby nuclear explosion, so radiation poisoning through water use was also a real possibility. The entrance doors were not blast proof, and it was simply hoped that the few walls standing between the office and the entrance would be enough to absorb a nuclear blast.

The bunker is a poignant reminder of how close we came to disaster, and a unique perspective on the fragility of the systems we had in place to cope with a nuclear attack. It's a unique attraction and definitely worth checking out, although it took a decent meal and a strong coffee to help up recover afterwards.

Buddhists lose the game

Reminds me of a quote by Samuel Beckett that I saw on a poster once: 'All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.'

One of the strangest things about Buddhism is the fact that Buddhists knowingly set themselves unattainable goals. The Bodhisattva vow is to forever reincarnate in this world so long as all sentient beings are not yet enlightened, but Buddhists texts repeatedly refer to living beings as, 'innumerable.' All sentient beings, including those currently manifesting as insects, have the potential for Buddhahood, but Buddhahood is only attainable in a human incarnation. The literal fulfillment of the Bodhisattva goal would necessarily lead to the destruction of the ecosystem. Enlightenment itself is logically unattainable. Your own sensory perception fundamentally constrains your ability to see the world from an egoless perspective, which is why the Buddha's death is called Parinirvana - complete enlightenment only comes when your human life ends. This is aside from the fact that enlightenment is very hard and the vast majority of Buddhists will not achieve enlightenment in this lifetime.

I find it very uncomfortable to have an unattainable goal at the centre of my life. This might be why I've put less time into learning about Buddhism and meditating the more I've achieved at university. My other goals in life seem attainable, so it's only natural that they would take priority over this airy fairy stuff. But this point that Hank makes about the Game is really useful. Even though I may have the impression that I am succeeding in life, my goals will always cause dissatisfaction - either because I sometimes fail, or because succeeding doesn't feel as good as I anticipated, or because I'm worried about losing the things I have gained. If I really wanted to be happy and contented, I wouldn't try to achieve anything. Rather, I would put my all into something unattainable, and stop worrying about the outcome of my efforts.

Loved

A friend of mine posted a link to the flash game Loved on Facebook (yes, I'm still there). I've been playing it for the past 20 minutes and it has left me more than a little shaken up.

The storyline behind this 2D platform game is left entirely to your own imagination, but the game feeds your imagination very well. Like Closure, which I wrote about a while ago, it is in black and white and features very creepy ambient music. Text appears throughout the game as though some disembodied voice were speaking to you. The 'voice' appears to give you choices - for example, regarding your gender and your emotions - but your decisions turn out to be of no consequence. Psychological tricks such as this remind you that no matter what actions you carry out within the game, you are entirely under the control of the voice.

From the beginning, the voice issues commands. At first, I found myself intuitively following them, because I automatically trust the instructions given to me by a video game. But later I started to question that trust, and I disobeyed the voice. This led to interesting results. The game plays on the strange feeling you get when the playing a game with a broken graphics card by transforming parts of the black and white game world into coloured pixels. At first I enjoyed this effect and disobeyed more. It felt strangely empowering to continue disobeying even as the voice called me 'disappointing' and 'disgusting.' But I soon found that the pretty coloured squares had completely covered the platforms and it was hard to see where I was going. The whole thing reminded me of the super-trippy 'Fission Mailed' level of Metal Gear Solid 2, where your commander, also a disembodied voice (heard by the protagonist through an earpiece) tells you to "stop playing the game."

I got to the end of the game none the wiser about the storyline, but feeling as though I had just finished reading a novel. I feel like some message or feeling was communicated through the experience of playing the game, but I can't put my finger on exactly what it might be. Nevertheless, whenever I go back and play again I can't resist disobeying the voice. I quite like that sense that you should never allow people to manipulate you (or disembodied voices for that matter), even if by disobeying them you make your path more difficult.

It's alive

I've just finished my final exams. In the process of figuring out what to do with my summer, which I'm spending in Israel, I went to the website of the Holon Design Museum, pictured below.

A bit of background: for my speaking test I gave a speech in Japanese about the 'Japanese aesthetic' and as part of that speech I talked about the Japanese designer and writer Kenya Hara. I compared his idea of the Japanese aesthetic as 'simple,' 'white' and 'empty' with Ron Arad's over-the-top design aesthetic (I had recently seen this exhibition). Ron Arad designed the Holon Design Museum, and generally designs all sorts of weird things in huge biomorphic shapes, often in either shiny steel or bright red (the Design Museum is reddish brown though). A sofa of his has been used to good effect in the Big Brother house. Ron Arad gives the bombastic personality of a Big Brother contestant to things that wouldn't ordinarily attract a lot of attention, like sofas or ping-pong tables or the dormitory town of Holon. I claimed that this is the opposite of the pared-down, unassumingly simple aesthetic Hara (and pretty much everyone) attributes to Japan.

So imagine my surprise when I found out that Hara is directing an exhibition to be held in the Arad-designed Holon Design Museum this summer. It's like my speech came to life!

If you like shiny cars and invincible ladyboys with huge swords

...then you'll love this.

Final Fantasy Versus XIII - For more amazing video clips, click here

It's so long since an FF promotional video has got me this excited, I was getting bored of the same old thing every time. Loving the way the basic premise seems to be a traditional war of good against evil, but in this case evil is represented by huge armies that fire automatic rifles at beautiful architectural features, and good is represented by swash-buckling metrosexual bro-love accessorised with hunting rifles and flashy cars. I know whose side I'm on.

Place

I just found the website California is a Place. It's a small video project about discovering inspiring and thought-provoking things about California that most people don't see. Check it out.